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Showing posts with label BACHELDER Chris. Show all posts
Showing posts with label BACHELDER Chris. Show all posts

Monday, 17 December 2012

Books of the Year - 2012

Last year I made a stack of my end of year picks and took a photo to head the post. This year, having moved house and with books scattered all over the place, I'd struggle to know where exactly to locate most of the books I want to bring to your attention and indeed it was a source of considerable anxiety to me that one of them, packed specially due to its unique qualities, went missing for nigh on a month before it was finally relocated and hurriedly placed on a special shelf for safekeeping.



Anyway, 2012 has been a year filled with enjoyable books, some of which have been very special indeed. Keeping up the blog has been a struggle at times but messages of support have turned up often just when I need them and the enthusiasm of others has always been helpful when a shot in the arm has been required. I'll be absolutely honest and say that next year really will see my posts becoming more sporadic but as long as you really want to hear what I have to say then I will try and make the effort when a book really demands it. Twitter remains an exciting place to learn and share about books and when I pretty much lost the ability to update the blog recently it was there that I managed to keep talking and enthusing about what I was reading.

Below you'll find my picks of the year, a varied collection as always, books that I found in a variety of ways. I've summarised why they made the cut below but please click on the titles to read my in-depth reviews and hopefully you'll find something that you hadn't wanted to buy... until now.

Absolution by Patrick Flanery

I read this debut near the beginning of the year but it has stayed in my mind as one of the year's best new novels, heralding the arrival of a nicely matured voice in fiction. Perhaps the most conventionally 'literary' novel on my list it actually has a rather complex structure with four narrative strands and changing viewpoints. Flanery tackles South Africa's fraught politics but also the weight of personal history and the very nature of truth itself. Ambitious and well executed it's a great read now and a very positive indication hopefully of what's yet to come.

Waiting for the Barbarians by J M Coetzee

It's not all about new books and this novel from Coetzee helped to cement him in my mind as a true master. This allegorical novel of violence, oppression and control is written with the kind of universality that makes it feel like a classic; names of people or places are not important, neither is a sense of when or where exactly the novel is set. The unflinching manner of Coetzee's approach makes for an exhilarating and uncomfortable read. A novel that challenges the reader with its views and opinions but leaves you to draw your own conclusions; what more could you ask for?




A Death In The Family by Karl Ove Knausgaard

Not many books made such an impact on me as this controversial novel and that's why when I was asked to pick just a single book from this year's output by Kim over at Reading Matters, this is the one I plumped for. Knausgaard made a Faustian pact when he decided to write about himself and his own family and the notoriety that has accompanied the publication of his six-volume, fictionalised autobiography is as impressive as the sales figures in his native Norway. Part one looks at drunken adolescence, the death of his father and the alcoholism of his grandmother. The final third is about as a grim a piece of writing as I have ever come across. A book that had me scratching my head about half way through had me itching for more when I finished the final page and with part 2 due next year I can only hope that there are plans to translate and publish the following four books.

Abbot Awaits by Chris Bachelder

Humour. Let's be honest, it's all too often missing from the books of many 'serious' readers apart from the odd flash here and there so when a book comes along that makes you actually laugh and smile with recognition throughout then what a joy that is. Bachelder's take on modern fatherhood is hilarious, beautiful, touching and true. Little vignettes, often of just a page in length cover the final three months of Abbot's wife's second pregnancy. Just the titles of some chapters are enough to elicit a laugh and the real skill is in not allowing the book to suffer any slumps along the way. A perfect gift for any men you may know who are perhaps expecting another arrival anytime soon.

All Quiet on the Western Front 
by Erich Maria Remarque

A genuine classic that will have you mouthing the familiar refrain of those who finally tackle one of those books they always knew they should have read: 'why didn't I read it sooner?' There's not much for me to say here about Remarque's classic war novel other than that it gave me something completely fresh to think about after I'd been performing in War Horse for a couple of years, that it was a distinct pleasure to give copies of it away on World Book Night and that it's exactly the kind of book that was never in any danger when I had a book cull before moving house recently.


Open City by Teju Cole
If I'd got my act together a little sooner then this book would have appeared on last year's book list (along with lots of other people's). It is a frighteningly accomplished novel, bursting with intelligence and written in the kind of fluid prose that makes you want to devour it in a single sitting. A man wanders the streets of New York, meets friends, has a picnic and at one point gets mugged, that's about all you'll get as far as plot goes, but this book is filled with ideas and culture that keep you're brain nourished throughout and there's even a twist of sorts near the novel's end that makes you think all over again about the man with whom you've been wandering.

Leaving The Atocha Station by Ben Lerner


Not dissimilar to the book above, this is another novel with little plot, a diary-like narration and lots of digression but poet Lerner's debut novel has a wicked sense of humour and a fairly repellent hero whom you can't help but be charmed by. An American poet abroad on a fellowship in Madrid smokes spliff, takes pills, experiences culture and generally bullshits his way around his research project. Along the way he questions his validity as poet, man and lover and we enjoy one of the most stimulating debuts since ... well, the book above.


Hawthorn & Child by Keith Ridgway

Championed by bloggers all over the place but none more so than John Self in the pages of The Guardian this is a novel that more than justified the fervour behind it. I had been looking forward to it after my first experience of his writing but I wasn't expecting it to be quite as a good as it was. Ridgway's own irreverence as a writer is either extreme humility or an indication that he, along with most of the reading public, doesn't realise exactly how good he is. The novel is bold and formalistically daring, written with an ease and brilliance that must make other writers want to give up and has a variety and scope that means each reader is sure to identify a different section or sentence as their favourite bit of writing this year. Believe the hype.


Swimming Home by Deborah Levy

My favourite read from this year's Booker list was a triumph for small publisher And Other Stories and I very nearly included another of their titles, Lightning Rods by Helen De Witt, in this list but decided to mention it here and free up one of these limited berths for another fabulous book (very briefly, Lightning Rods is a whip smart satire that is funny, clever and shocking - read this review for more). Levy's novel is slim but packed full of resonant images, enigmatic characters and telling details. There's a wonderful darkness that clouds proceedings and seldom has there been such an enjoyable sense of being unsettled.

Train Dreams by Denis Johnson


Look, I don't know how many times I have to tell you to read Denis Johnson but will you please just READ DENIS JOHNSON. The fact that the Pulitzer board didn't award a fiction prize this year is bad enough but the fact that they did it when a novel(la) like this landed in their laps in downright scandalous. Johnson's collection of writings is so eclectic and varied that it's difficult to say exactly where this fits in the cannon but as a fan of his I can say that I was surprised by the richness and reward that came from such a slim book, previously published as a story in the Paris Review, thankfully given the proper treatment by Granta who had a storming year with three titles in this best of list.

Building Stories by Chris Ware

What to say about this extraordinary creation? This is the book I mentioned at the very top that went missing in transit and caused me moments of genuine anxiety as I worried that I might not be able to lay my hands on a replacement copy without bankrupting myself even further. Chris Ware opened my eyes to what the graphic novel could be when I read his first book Jimmy Corrigan. I am eternally grateful to him for that because since then I have derived so much pleasure from reading more and more graphic work. For him then to return with a ... I hesitate to call it a book because it is so much more than that ... with such a gift is quite astounding. A book which cements the place of the graphic novel amongst 'serious' literature and shows at the same time how limited its supposed superiors really are, this will no doubt be seen in years to come as a definitive work.


Also worthy of note: Mrs Bridge, Dr Haggard's Disease, Seven Years, Days of the Bagnold Summer and so many more.


Emperor's New Clothes: HHhH and The Yellow Birds.


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Tuesday, 6 March 2012

Abbott Awaits - Chris Bachelder

'stunned by the real'


The TLS Books of the Year edition often involves an awful lot of skimming over non-fiction books you haven't the faintest interest in, lots of academics and critics chummily gushing about books written by their academic and critical friends and usually consensus about a book or two which you were already well aware of. Or is that just me? Anyway, this year under the dependable name of translator Michael Hofmann was a slim American novel published by Louisiana State University Press. Two things to prick the ears up there: Hofmann first (and recommending an American novel rather than something in translation) and then the publisher. LSU Press were of course the people to originally print John Kennedy O'Toole's Pulitzer Prize-winning tour de force A Confederacy Of Dunces. This is a press willing to take a risk or two. Seeing also that the author of Hofman's recommendation was Chris Bachelder, whose name I recognised from my McSweeney's-reading past, and that the subject of this book was a father's musings whilst his wife is in the third trimester of their second pregnancy, I was busy hunting down a copy before I'd finished the paragraph.

And it's brilliant. If you have had a child, buy a copy. If you've had two I can only presume you've already done what I did and gone online to find a copy before moving on to this paragraph. If you haven't then do it now. Right, have you all got one ordered? Then, I'll continue. Abbott is a university teacher on summer break. He and his wife are expecting their second child and we follow Abbott  through June, July and August as they prepare themselves for the new arrival. There is a chapter for each day, many just a page, some only a paragraph, and each comes with its own title such as: Abbott Visits the Pet Store, In Which Abbott Is Surprised by Artifice, and Abbott's Imaginary Letter to an Imaginary Nationally Syndicated Childhood and Parenting Expert. Anyone who is a parent knows that day to day life isn't about any of the grand things or big events, it is about the bits in between. Whilst there is a page for each day it is often the smallest or most innocuous part of that day in which Abbott reflects on his life or has what one might call a moment of clarity. Bachelder knows that it is whilst cleaning the vomited raspberries from your daughter's car seat that a father can suddenly realise "The following propositions are both true: (A) Abbott would not, given the opportunity, change one significant element of his life, but (B) Abbott cannot stand his life."

Abbott's life is filled with paradoxes like these. Here for example is an extract from the chapter Abbott and the Paradox of Personal Growth:

Abbott approaches sleep with an ineffable sense of relief that he did not know, before having a child, what it was like to have a child - did not really know what it was really like - because if he had known before having a child how profoundly strenuous and self-obliterating it is to have a child, he would never have had a child, and then, or now, he would not have this remarkable child. Abbott's wife, were she here, might say that it doesn't quite make sense. Abbot might rub her hip lightly with the back of his hand. "That's the thing," he might say.

Even the smallest paradoxes are like moments of illumination. Abbott knows for example that his daughter's nap time is the perfect time to do housework, run errands, rest or read and yet he, like all parents, spends a huge portion of it waiting for them to wake up. WHY? The domestic chores that fill this novel lead Abbott to compare his lot to Hercules at first before realising that a more accurate comparison would be Sisyphus, whose task wasn't impossible but endless in its repetition. Taking out the rubbish, cleaning gutters, mowing the lawn, doing laundry, caring for daughter, dog and wife, Abbott finds new ways to fail at the most basic level on each and every day but also finds moments of triumph in the most unlikely places too.

There will be particular joy for fathers in reading this book, mainly because there will be several moments of recognition. That isn't to say that mothers won't enjoy it, on the contrary, if you want to understand a little better the mindset of the anxious father, or to understand that his clumsy attempt at intimacy came about not because he's some kind of animal but because even asleep in the back seat of the car with mouth open and nylon seatbelt bisecting those wonderful breasts of yours, you were quite simply a thing of beauty and the only wonder is why contemporary art isn't filled with more breasts bisected by nylon straps ('Where are the songs and poems, the sculpture, the oils on canvas?'). There will doubtless also be moments of joint recognition across the sexual divide.

Like many others before him, Abbott discovers, once married, that marriage is a battle - clinically, a negotiation - over possession of the Bad Mood. A marriage, especially a marriage with children, cannot function properly if both its constituents are in a foul temper, thus the Bad Mood is a privilege only one spouse can enjoy at a time. Who gets to be in a Bad Mood? This is the day-to-day struggle. In the Perfect Union, the Bad Mood is traded equitably, like child care or household chores. There is joint custody of the Bad Mood...In a typical marriage, however, one spouse tends to possess the Bad Mood disproportionately. This is called Hogging The Mood.

Any novel that can begin a chapter 'Fucking Thoreau' before going on to point out that Abbott 'could, for his part, happily do without the post office. Leave it to the childless to be complacent about the mail. You put a toddler in Walden and you'd get a new philosophy' (the mail being important because in its regularity 'It not only signals the blessed arrival of mid to late afternoon, it also offers the promise of surprise and wonder') is alright by me. This novel is filled with moments to make you laugh out loud, moments that take your breath away with their simple beauty or truth and the whole book is written with an easy wit and intelligence that will make it possible for even the most tired parent to glide through it. In fact I worry that I'm making this sound too much like the kind of humorous book you'd expect to find in the loo of a middle class house. Be assured that Bachelder is a poet of the ordinary, the short chapters and their short sentences are beautifully put together so that you get that sensation as when...

A cloud covers and then uncovers the sun. Campus is distant and theoretical, like a galaxy or heaven. There is something beyond tedium. You can pass all the way through tedium and come out the other side, and this is Abbot's gift today. he picks up a pinecone, puts it in his palm, and extends his palm toward his daughter. The girl's eyes grow wide and she laughs. She reaches for the pinecone, says, "Pinecone."

This is yet another novel this year with no real plot. Another book whose short chapters could almost be read as separate short stories. Another book that makes a virtue of brevity. Another brilliant book that knows that sometimes the most important thing you might do in the day is simply look out the window.

The window is divided into twelve panes, four rows of three. Abbott imagines that each pane is a framed photograph. He studies the composition of each of the twelve panes. He moves along rows, left to right, beginning with the upper left pane. A cloud of leaves and a single red brick. A squirrel on new shingles. Sky with faded contrail. There is not one pane that is not beautiful.

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